These components address pathways into the creative industries and address the range of roles today’s cultural organisations demand – equipping students with the skills and knowledge necessary to secure future professional opportunities. Providing you with the knowledge, understanding and experience needed to work effectively in the creative industries. You will be supported to navigate the extensive range of careers in the creative and cultural sectors. The History of the Art Market focuses your understanding of past and present art business practices and changes to the art market over the past 400 years. Object Analysis & Appraisal asks what an object is and which values it contains, also incorporating questions of cultural heritage and globalisation.
Our new tailored service aims to equip arts organisations with the tools necessary to become robust, sustainable and confident operations. You might not be conscious to its influence in business, but it is always there, irreversibly assimilated. From Silicon Valley offices to Warhol’s posthumous dominance, business and art’s long relationship is stronger than ever… The partners behind the four-year Resourcing Scotland’s Heritage programme have released the findings of a major new report into the current funding landscape for Scotland’s heritage sector. To help people working in Scotland’s heritage sector to develop their fundraising skills.
BA Hons Business of the Creative Industries
So much of what I learned at Kingston helped me also in the masters degree I finished soon after at LSE, in which I focused my dissertation yet again on the art market for a completely different subject . Course leader, Stephanie Dieckvoss, contributed to a panel discussion on art as investment, hosted by Dellasposa Gallery – watch the full discussion in this video. Trends in the current art market are covered with a forecast for the year ahead, key considerations of value in art, and strategies for collecting art. To give you an indication of class sizes, this course normally enrols between 15 and 20 students. Your independent learning is supported by a range of excellent facilities including online resources, the library and CANVAS, the University’s online virtual learning platform.
- Provides a package of financial and industry support to welcome talented UK undergraduates from Black, Asian, Gypsy, Traveller and ethnically diverse backgrounds to our creative community.
- Arts & Business NI knows that when business and the arts work together in truly mutual partnership, both become stronger.
- The creative business course from the London College of Contemporary Arts will cover essential business management and marketing skills required for a creative career.
- Our researchers and research centres aim to make an original contribution to knowledge and the world.
Birmingham School of Art has a wide array of links with partner organisations regionally, nationally and internationally. These partnerships will provide work experience opportunities for you, and contribute to your learning and teaching editions-mld.com activities. Our overseas partnerships often result in opportunities for you to mix with students from different countries and gain different perspectives, as well as opportunities to undertake a period of study overseas.
And she worked at CAST in Cornwall where she produced the Groundwork programme with Director Teresa Gleadowe. Groundwork was a three year project, bringing exceptional international art and artists to Cornwall and culminating in a five month season of exhibitions and events in 2018. Located in the culturally diverse city of Birmingham in the West Midlands, the curriculum design and live experiences will reflect the needs and opportunities for the student body, creating accessible routes to employment. The course will also explore a broader picture for the creative industries, at national policy level, considering the implications for various stakeholders. Our aim is to foster a dynamic and stimulating environment that realises and supports individual and collaborative research projects. This is achieved through an exchange of ideas and practices within and across the disciplines, directly benefitting the wider academic community as well as industry, business and the public.
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In 2013, Sennheiser became the Victoria and Albert Museum’s first ever ‘sound experience partner’ for the acclaimed David Bowie Exhibition. Together they created a compelling and immersive audio environment which resulted in the David Bowie exhibition becoming the V&A’s best-selling and most well received exhibition of all time. 22 companies came together to sponsor the arts in Hull during the city’s bid for the UK City of Culture 2017. Known as the Hull 2017 Angels Business Consortium (of which Force-7 Ltd was one), the consortiums total sponsorship of £374,000 helped Hull win the city changing bid in 2013.
You will benefit from a systematic approach to understanding the core functions of the art market across different periods and mediums, from pre-modern markets to today, allowing you to cater your studies to your individual interests. You also can take assurance from the fact that an art degree can also have applications in other domains and the creative industries. Central to everything we do is a vision of ‘Engaged Arts’ in which research-based knowledge and expertise is brought to bear on contemporary cultural, political and business life.
Explore creative production on screen, stage and in interactive media alongside industry professionals and world-class researchers. They deliver sponsorship training and support to the arts to help build their capacity to develop relationships with, and bring in funding from, the private sector. Arts & Business Northern Ireland (A&B NI), formerly known as the Association of Business Sponsorship of the Arts , was set up in Northern Ireland in 1987 and celebrated its 25th anniversary in 2012. It was originally set up as part of Arts & Business Limited a UK wide creative network that advocates and facilitates creative partnerships between the private and cultural sectors. Her partnerships for collaborative projects include international organisations – the Public Art Fund in New York, the Institute for Public Art, and the Design Panel for the International Association of Public Transport.